Helmed by Portishead co-founder the musician-producer, this scabrous though undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) first robs an passed-out supplier, then in a later recollection tries to break into his own family home. Before you can say, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman turns up, enraged after David kills his dog. Still, a grimly amusing standoff takes hold – David eager to get away; the Poacher denying his container of cider, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
There is only one important plot development, but it results in a hilariously staged rampage on the woodland paths that veers toward folk horror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film is in UK and Irish theaters from 17 November.
